Wine

As a grilled-food guy, R. B. loves red Zinfandel and Côtes du Rhone. Mixed with fresh fruit and carbonation, these barbecue-friendly reds really come to life. Sweeten with sugar if you like.

Lemonade and champagne are among our top choices to serve with barbecue, so we mixed them together for an unusual shandy.

Cava is cheap but good Spanish sparkling wine. It makes a festive version of sangria.

Bestriding the shoulders of the island’s western verges is the perfect borgo medievale (medieval village) of Erice, called so after he who was the mythical son of Venus, sired by the king of the ancient tribe of the Elimi. There is a fascination about the village, its apocryphal tales and its truths—gifts, one thinks, of the cults that once worshiped the gods of beauty and love there and carved into the village walls scripts still undecipherable. Limpid, sweet is its air, and from its sweeping lofts one sees Mt. Etna, her fury diffused in far-off mists. And there on a small piazza sits the pasticceria of Maria Grammatico, who fashions the most gorgeous, most delicious evidences of rustic Sicilian pastry. Many of Signora Grammatico’s formulas are borrowed from the epoch of the Ericina convent pastry-making—it, too, having once practiced a temperate rather than a Baroque style. This is a version of the celebrated Ericina ricotta pie.

Deep in the Gothic tangles of the Aspromonte sits the fourteenth-century Santuario della Madonna di Polsi, a refuge culled by an ancient order of cloistered sisters dedicated to the honor of the Madonna, through a life of acetism. Once a year, though, in the early spring, when pilgrims from faraway parishes walk over Monte Montalto to the sanctuary to celebrate the festival of the Madonna, the nuns sacrifice a flock of newborn lambs to the glory of her, braising their flesh in old, shallow coppers and feeding the faithful at long, rough-hewn tables set out on a meadow floor.

It is fitting that on a most divine jot of the Tyrrhenian coast, on a promontory between the limpid gulfs of Sant’ Eufemia and Goia Tauro, there would glint the small, golden precinct of Tropea. Fitting, too, that there in its rich, black fields would be raised up Italy’s sweetest onions, and that they be long and oval like great lavender pearls. One peels them and sets to, with knife and fork, a dish of sea salt, a pepper grinder, and a tiny jug of beautiful oil, a perfect lunch with bread and wine. Too, we saw the folk of Tropea simply fold back their papery skins and eat them raw, out of hand, layer by layer, like a magical violet fruit. Sometimes, one finds them all softened, smoothed into a delectable potion made of garlic and bay leaves and white wine. Evident in its resemblances to French cousins, the soup of Tropea, though, is a minestra strepitosa—a magnificent soup—say the Calabrian cooks, belittling the goodness of the French soup. Here follows a version that softens the garlic, caramelizing it into sweetness with the slow cooking of the onions, before the illumination of the soup with red wine and grappa and the finishing of it with pecorino and a heavy dusting of fresh pepper.

Shanks slowly braised like these composed a winter Sunday lunch served to us in a linoleum-tiled card room snugged behind a bar on the edges of Potenza. The players were sent off precisely at one so that the cook might lay the oil-clothed tables with yellow linens and set them with blue and white china. The eight or ten tables were all reserved, as they were each Sunday, the only day when the improvised dining room was open. We had heard about the wonderful food and asked the signora if we might wait until the table of one of her fixed clients might become available. “Impossibile.” She laughed. “Questi tavoli non saranno liberi prima di mezzanotte.” “These tables will not be free before midnight.” She explained that after lunch, the pretty linens and china would be washed and tucked away to await next Sunday, leaving the gaming tables free for cardplaying throughout the afternoon and evening. When one booked a table, one booked it for lunch and endless rounds of briscola, the high-stakes action to which even the women were invited on Sundays. A lovely and entrepreneurial program, we thought, but what about our lunch? The sympathetic signora made room for us, tightening up the seating around a table for four, adding two more place settings and chairs. And so we dined with the priest and his mother and a retired fruitseller and his wife, all of whom spoke only in dialect while we bumped along in Italian. The encumbrance of language soon dissolved in the mists of the signora’s beautiful food. Plates of local, dried sausages and farmhouse cheeses, baskets of just-fried, bay-perfumed breads, a soup of bitter greens, great bowls of rough, handmade pasta sauced only with the rich liquors from braised lamb and dusted with pecorino and, finally, the whole, braised shanks of lamb themselves, sending up sublime perfumes of garlic and rosemary. And as sustaining as is the memory of the company and the food on that Sunday in Potenza, it is another scene that plays more sweetly in my mind. A sort of coming-of-age for me—it was there that I learned, fast and well, the secrets of briscola.

After the fast demise of Sybaris, it was Taranto that grew up, the city most splendid of Magna Graecia. And it was there that oysters were first cultivated, for the coddling, I suppose, of true sybaritic cravings. Taranto was and is quite perfectly situated for the business, sitting, rather like an island, between the mar piccolo—the little sea—a coastal lagoon fed by both fresh and sea water and the mar grande—the big sea—part of the Gulf of Taranto in the Ionian Sea. And it is this very shifting in the salinity of the waters around Taranto that builds up the sweetest, fattest oysters. Nothing better can be done to a fine oyster than to slip it down one’s throat, chasing it with sips of some crisp, icy white wine. But here follows a recipe for barely roasting oysters that, if not ennobling them, at the least takes nothing from their own natural goodness.

We had been in Puglia and its environs nearly a month. Sapped from our journeys, our palates debauched into slumber from the opiate of too many chile peppers, our wits palled from nightly Circean cups, we needed redemption from the table. We asked each other what would soothe. Surely we needed to stop driving. Fernando wanted pastina in brodo—tiny pasta cooked in broth. I wanted a small custard pie, warm, soft. I wanted bread and butter. We both wanted to be in a place with not one more three-thousand-year-old olive tree. We wanted sympathy more than we wanted supper. And there we were, lost in Otranto. When finally we asked the same giornalaio, newspaper seller, for directions to our intended destination of Melpignano for the third time and got the third different answer, we thought it a good thing to surrender our search for the unnamed, unsigned place there that had been pressed upon us by our friends in Lecce and simply brake at the next and nearest little place with even the thinnest promise about it. Finding it, we tumbled out of the car, shuffled up the drive and asked if there might be a room for us. The cheery little man took our things, showed us up the stairs, started up the heater for the bathwater and began the reverent story of his wife’s genius in the kitchen. I saw Fernando’s face fading a bit toward citrine. Swooning, I tried so to smile at the even cheerier little man through my narrowing vision. He began his pastoral roundelay with her pigeons braised in red wine and juniper, on to her lamb roasted with potatoes and wild mushrooms, before coming to the rhapsody of her way with goats’ hearts poached in white wine and lemon. Fernando was nearly able to deflect him with an inquiry about the era of his handsome stone house before he began the lip-smacking tale of the pigs’ livers roasted on branches of bay. We closed the door. We took a bath. As we were dressing, the cheery little man knocked gently. They were waiting for us—he, his wife the cook, his son the university student, his brother the hunter, his friend the winemaker. They’d thought, since there were no other guests, we might dine together, make a real celebration of the evening. They had laid a beautiful fire and lit candles upon a narrow, wooden, unclothed table set for seven. They were so sweet, so excited by our presence, for their own clever spontaneity, for the prospect of a long winter’s evening to be passed at table. Fernando rallied and began nibbling at a creamy heft of new pecorino sitting on a crisp white cloth next to our aperitivi. I followed the lady into her kitchen, unraveling our adventures in a nervous sort of monologue. Rather than sympathy, she offered her envy. “Beati voi, tutti questi giorni in giro, sempre a ristoranti.” “Blessed are you, all these days running about, always in restaurants.” I thought to be more direct. “You know,” I said, averting my eyes from the legs of lamb she was basting, “what I would like most this evening is to eat something simple and comforting. I feel like a tired child.” She looked at me for the first time, really looked at me, heard me. She wrapped her great, fleshy arms about me, crushing me to her moist, rosemary-perfumed bosom. She had understood. She marched me back to the table with instructions to sit quietly, sipping at the winemaker’s best red and to wait. After a half an hour’s sashaying to and from the kitchen with the first of the feast’s plates, the lady, her broad olive cheeks blushing up to the corners of her dark eyes, carried in a small, white porcelain bowl with its own cover and set it down before me. I lifted the lid, unloosing the scents of cinnamon and butter and perhaps of chocolate, which curled up through a tangle of pale yellow noodles swathed in a curiously dark sort of sauce. “Ecco la pasta in nero,” she exclaimed. “There it is, pasta in b...

Alfonso cooks a dish much like this one, invented epochs ago by the Cilentini during the vendemmia—the harvest of the wine grapes. He tells the story of the fishermen who were also winemakers, who, after depositing the daily winemaking debris into the sea, set out their shore lines, much as they did every other evening. Serendipitously, they lured an abundance of fat, pewtery sea bass—branzino—the fish bewitched by the fermenting perfumes of the grape skins and seeds. The Cilentini then roasted the fish who’d fed on the grape must over cuttings from the vines. The flesh of the fish was scented, through and through, with essences of grape. Legend has it that the dish made voluptuaries of all who ate it. Stuffing the fish with cooked grapes likely gives it an even more luxurious savor than that taken on by his must-eating ancestors.

In the thirteenth century, when the Angevins reanchored their royal seat from Palermo to Napoli, the latter was illuminated, transformed, by the influx of a luxe new citizenry. Royals, nobles, and government bigwigs were followed by a cadre of the epoch’s great artists. Giotto and Petrarch and Boccaccio ensconced themselves in Napoli. And as they are wont to do, the masses, too, followed, hoping to stay warm, a little warmer even, inside the echoes of the city’s great, new noise. And as much as she did flourish then, also did the misery of her increase. In great part, Napoli starved under the reign of the French kings. While obscenely cinematic festivals were being staged inside the lustrous salons, the Napoletani waited outside each evening for the cooks to wallop out over the castle walls to them the viscera of the lords’ sheep and cows and pigs and goats. And from these mean stuffs did the women and men of Napoli invent their suppers. Among the dishes that became tradition during this time was zuppa di soffritto, a high-spiced potion made from the heart, spleen, and lungs of the pig and still prized by the Napoletani. Here follows a version of the good soup that asks for less exotic parts of the pig.

When Napoleon lifted up his brother-in-law Joachim Murat to the throne of Napoli in the early nineteenth century, he wittingly rubbed the gastronomic culture of the city to a high French polish. As the governor of Paris, Murat fixed for himself a popular reputation as gourmand, having conducted the business of his offices more often than not midst the ever-sumptuous, sometimes not-meant-to-be-eaten bas-relief of his banqueting tables. And trailing Murat to Napoli marched legions of French chefs. The great toques were an outlandish platoon, striding about the city’s marketplaces and food shops like so many swells among the rabble and answering only to the title monsieur. The irreverent Napoletani soon punished the word into monzù. But even without the genuflection of the masses, the French masters left rich, culinary impress. In the embrace of their hyperbole, there was nothing too spangled, their dishes mostly unredeemed paroxysms of the baroque in both component and construction. And one of their glory dishes was the timballo—the drum—recalling the high-sided round or oval forms in which the chefs built great, towering pies, as much for table architecture as for their eventual service as dinner. One version of the timballo asked for a deep mold upholstered in sweet short pastry, layered with pasta stuffed with veal sweetbreads, layered with the livers of game and whole fat, musky truffles, all of it robed in a salsa besciamella—béchamel—spiced with cinnamon and nutmeg and cloves. The timballo was roofed then in more pastry, painted with egg wash and baked golden as amber. Here follows a version less awkward to make, less fantastic, perhaps, but no less sublime for its relative restraint. When preparing any one of the cinque brasati di carne con pomodori (page 67), increase the amount so that some might be saved, then used to flavor the timballo.

This was and is still the dish every Napoletano wishes to come home to for Sunday lunch. There have been sonnets written to its lush sauce, to the perfumes of it curling down to the alleyways below, signaling that, at least for a day, all would be well for that family. The tomato, after its long, slow courting with the red wine, takes on a sort of rusted ebony tint, a beautiful rich color the Napoletani, with their keenness for flourish, are wont to call “black.”