Penne

A tiny place where once lived the paladins of Sardegna is Orgosolo. Only a decade or so ago did they think it prudent, finally, to wander about the steep, tortured alleyways of their mountain village unadorned with a rifle. Orgosolo is the historic lair of Sard banditismo—banditry. Perhaps the businesses of thieving and buccaneering seem more gainful in Calabria, for now, the only rapscallions left in Orgosolo are the political artists whose bullying, bitter-sermoned murals irritate walls, housefronts, mountain faces. Too, icons are chafed, gastronomically, in Orgosolo, as they are here in this dish, which asks for bottarga as well as pecorino, upsetting the proscription, for a moment, against the mingling of fish and cheese.

A dish a hunter might prepare for his family even if his sack holds only a few birds, the quail are pan-roasted, pasta is added to its good liquors, the whole roasted in the oven, and carried to table as a piatto unico—one-dish meal.

When Napoleon lifted up his brother-in-law Joachim Murat to the throne of Napoli in the early nineteenth century, he wittingly rubbed the gastronomic culture of the city to a high French polish. As the governor of Paris, Murat fixed for himself a popular reputation as gourmand, having conducted the business of his offices more often than not midst the ever-sumptuous, sometimes not-meant-to-be-eaten bas-relief of his banqueting tables. And trailing Murat to Napoli marched legions of French chefs. The great toques were an outlandish platoon, striding about the city’s marketplaces and food shops like so many swells among the rabble and answering only to the title monsieur. The irreverent Napoletani soon punished the word into monzù. But even without the genuflection of the masses, the French masters left rich, culinary impress. In the embrace of their hyperbole, there was nothing too spangled, their dishes mostly unredeemed paroxysms of the baroque in both component and construction. And one of their glory dishes was the timballo—the drum—recalling the high-sided round or oval forms in which the chefs built great, towering pies, as much for table architecture as for their eventual service as dinner. One version of the timballo asked for a deep mold upholstered in sweet short pastry, layered with pasta stuffed with veal sweetbreads, layered with the livers of game and whole fat, musky truffles, all of it robed in a salsa besciamella—béchamel—spiced with cinnamon and nutmeg and cloves. The timballo was roofed then in more pastry, painted with egg wash and baked golden as amber. Here follows a version less awkward to make, less fantastic, perhaps, but no less sublime for its relative restraint. When preparing any one of the cinque brasati di carne con pomodori (page 67), increase the amount so that some might be saved, then used to flavor the timballo.

This pasta might sound unsubstantial, but I promise you won’t leave the table wishing you’d made a roast instead. The caramelized cauliflower, rich cavolo nero, and chewy pasta, sautéed with rosemary, chile, garlic, anchovy, and onion, meld together into a filling, savory whole. Although sautéing the pasta isn’t traditional, I love the integration of flavors and the slightly crisped noodles.

The time for this recipe may stretch to forty minutes or so, due to preheating the oven and roasting the vegetables, but it’s one of my favorites, and I think it’s worth that tiny bit of extra time. I hope you will, too.

Mama Colaruotolo traces this dish back to her ancestral home in Italy. While it originally called for Italian white wine, she substitutes her family’s Finger Lakes Chardonnay to create a New World masterpiece. The Finger Lakes wine adds distinctive fruitiness to the dish, even better the next day, allowing the flavors to integrate even more.

Think of this hearty casserole of ground lamb in tomato sauce, penne pasta, and a béchamel-and-cheese sauce as the ultimate Greek comfort food.

Begin cooking the shrimp and sauce while the pot of water is coming to a boil so everything is ready at the same time. Be careful not to overcook the shrimp, as they can easily become tough.

Two types of peas are cooked along with the pasta in this one-pot dish, so everything finishes at once. The vegetables should be cooked just long enough that their colors stay vibrant and they are warmed through.

Legend has it that this dish was first created in Sicily as a tribute to the famous opera by Vincenzo Bellini, a native composer. This version stays true to the traditional recipe, combining eggplant, tomatoes, and basil.

THIS IS A TRULY DECADENT DISH, but you won’t want to save it for special occasions. Adding another Pacific Northwest flavor to our classic mac and cheese was easy; the base is a cheese sauce made from flavorful crab stock, and cauliflower balances the sweet crab flavor.

THIS IS THE SAME GREAT BEECHER’S MAC AND CHEESE recipe taken to a new level, with the spice of chiles and the addition of vegetables. Feel free to experiment with leftover cheeses for new flavor combinations.

VELVETY EGGPLANT, that beloved summer vegetable, comes to life in this easy pasta sauce. If you’re short on time, you can make the sauce ahead; it tastes even better the next day. For a more substantial dish, serve it with your favorite Italian-style chicken sausage. A short, sturdy pasta like rigatoni, rotini, or penne is the best choice for this chunky sauce.

WHILE FRESH MOZZARELLA IS USED IN AN ENDLESS VARIETY of pastas, pizzas, and salads, smoked mozzarella adds more flavor. It is made by smoking cheese over wood to produce a smoky, creamy result. This easy pasta salad makes a standout lunch dish, with the mayonnaise lending extra creaminess. You can adjust the amount of dressing according to taste.

SMART SUBSTITUTION Try a mix of yogurt and lemon juice for a tart, creamy pasta sauce without a lot of fat. This satisfying pasta salad, made with whole-wheat penne, makes a great summer supper; pack any leftovers for a workday lunch.

WHY IT’S LIGHT A springtime pasta dish forgoes heavy sauce in favor of a toss-together topping of arugula, lemon zest and juice, and extra-virgin olive oil. A generous amount of Pecorino Romano cheese ensures the dish satisfies both appetite and palate.

I love the flavors of spicy garlicky sausage together with nutty greens such as broccoli rabe. Besides fusilli noodles, penne rigate, orecchiette, or any other large toothy pasta shape is good for this sauce.

Treviso is a leafy vegetable found all over northern Italy, especially around Venice. It looks like a cross between romaine lettuce and radicchio, whose burgundy color and slightly bitter flavor it shares. I like to wilt treviso and then add it to pasta with some creamy goat cheese to mellow its bitterness.

Why not cook pasta as you do risotto? That is, add broth a bit at a time and stir frequently, with the goal being a creamy, quickly made pasta (no waiting for the requisite gallon of water to boil!) that requires only marginally more attention than the standard variety. The concept is simple, it makes sense—pasta, like Arborio and other rices used for risotto, is plenty starchy enough—and it takes just the use of good-quality stock and a vegetable to make the dish delicious. If you’re using canned stock and have a little time, heat it with an onion, a carrot, and a garlic clove before beginning to add it to the pasta. And don’t salt the dish until you’re finished cooking; canned stock can be overly salty.