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Free-Form Plum Crostata

Recipe information

  • Yield

    serves 6 or more

Ingredients

1 batch (about 9 ounces) Free-Form Crostata Dough (recipe follows)
Flour for rolling

For the Fruit Filling

1 1/2 pounds small Italian prune plums or other ripe fruit
Freshly grated zest of a medium lemon
2 tablespoons apricot jam
2 tablespoons butter, cut in pieces

For the Sweetened Bread Crumbs

1/2 cup fine dry bread crumbs
2 tablespoons zucchero di canna or white sugar
1/4 teaspoon cinnamon

For Serving (Optional)

Whipped cream
Vanilla ice cream

Recommended Equipment

A baking stone or oven tiles
Baking parchment
A large baking sheet, 12 by 18 inches or similar size

Free-Form Crostata Dough

1 cup all-purpose flour
2 tablespoons sugar
1/8 teaspoon salt
5 tablespoons very cold butter
3 to 4 tablespoons very cold (icy) water
(about 9 ounces dough, to make 1 free-form crostata)

Preparation

  1. Making the Filling and Rolling the Dough

    Step 1

    Arrange a rack in the middle of the oven with a baking stone on it, if you have one. Preheat the oven to 375°. If the crostata dough is very cold, let it soften at room temperature for a few minutes while you make the filling.

    Step 2

    Rinse the plums and pat dry. Cut them in flat halves, following the natural line around the fruit through the stem end, and remove the pits. Toss the halves with the lemon zest, apricot jam, and butter bits in a mixing bowl. (If you’re making the crostata with large plums or fruit like peaches or nectarines, cut in quarters or wedges.)

    Step 3

    Toss the bread crumbs, sugar, and cinnamon together.

    Step 4

    On a lightly floured board, start stretching the dough into a circle, rolling from the center in all directions. Turn the dough over as it stretches, and flour the work surface as needed.

    Step 5

    Cut a piece of parchment that will cover your baking sheet. Roll the circle of dough to a diameter of 15 inches, and lay it, centered, on the parchment. Now trim the outside edges of the dough, with a sharp knife or scissors, cutting away ragged or thin spots and making as perfect a round as you can, since this edge will be visible on the top of your crostata. Keep the circle at least 13 inches in diameter. Lift the parchment with the dough on it to the baking sheet.

  2. Filling and Baking the Crostata

    Step 6

    Sprinkle about 1/3 cup of the bread-crumb mix in a 7- to-9-inch-diameter circle in the center of the dough, as a base for the fruit. The bread crumbs will soak up the juices, so if you have very ripe and juicy fruit (like peaches) use more crumbs, to form a thicker layer; if using a drier fruit, like apricots, use less crumbs.

    Step 7

    Arrange the coated plum halves, cut side up, on top of the crumb base. I place them in concentric rings, starting from the outside, and lean each inner ring on the plums just outside. In this manner, with a larger, 8- or 9-inch base of crumbs, you should be able to fit all the plums in one layer, for a crostata with an even height. If the crumb base is smaller, you’ll need to pile up the fruit. This will give the crostata more of a dome shape (as in the photo).

    Step 8

    When you’ve assembled your fruit in the middle of the dough, fold the uncovered band of pastry on top of the fruit, as shown in the photo. The width of the band will vary with your arrangement of the plums, but you should have at least 2 1/2 inches of dough to form the pleated top crust.

    Step 9

    Finally, sprinkle 1 or more tablespoons of sugared bread crumbs over the visible fruit in the center. As before, use more crumbs on juicy fruit. If you have any left over, sprinkle them over the pleated dough.

    Step 10

    Put the baking sheet with the crostata in the oven, on the stone if using one, and bake for 25 minutes; rotate the pan back to front for even cooking. Continue baking, and check the browning of the crust after 40 minutes: it should be light gold. If it is getting quite dark, you may need to lay a piece of foil on top. Bake for another 15 minutes or more, until the fruit is bubbling and has caramelized on the edges. If you’ve filled the crostata with a mound of fruit, you’ll probably want to bake it more than an hour—and cover the top—to make sure all the fruit is cooked.

    Step 11

    Let the crostata cool on the baking sheet for about 15 minutes or more before lifting it, with the parchment, to a wire rack to continue cooling. When it has set, slide it off the parchment, supported by long patulas, onto a platter.

    Step 12

    Serve warm or at room temperature, cut into wedges, with whipped cream or vanilla ice cream, if you wish.

  3. Free-Form Crostata Dough

    Step 13

    Put the flour, sugar, and salt in the bowl of a food processor fitted with the metal blade, and process for a few seconds to mix the dry ingredients.

    Step 14

    Cut the butter into 1/2-inch pieces, drop them onto the flour, and pulse the machine ten or twelve times, in short bursts, 20 seconds in all. The mixture should be crumbly, with only a few larger bits of butter visible.

    Step 15

    Sprinkle 3 tablespoons of water on top of the dough; immediately pulse about six times, only a second or two each time. You want the crumbs to gather together in wet clusters, a bit like cottage-cheese curds—don’t expect a mass of dough to form. If they haven’t gathered, sprinkle on more water, a teaspoon at a time, and pulse two or three times after each.

    Step 16

    When the clusters form, scrape them all out of the bowl, press them together, and knead just for a few seconds to form a smooth, tight dough. Flatten it into a disk, wrap well in plastic wrap, and refrigerate for 3 hours or up to a day before using. Freeze the dough for longer keeping.

    Step 17

    (If the crumbs haven’t clustered after you’ve added 4 tablespoons of water, open the top and press them with your fingers; if they’re wet and stick together, just empty the bowl and press them into a disk of dough.)

  4. Comments on Ripe Fruit

    Step 18

    For this crostata, as for many desserts, I encourage you to use ripe fruit. But it concerns me that it is difficult these days—unless you have your own orchard—to get fruit that can truly ripen as nature intended. Much, perhaps most, of the fruit in our markets is engineered for commercial needs, for shipping and shelf life. It is bred to remain in a green, immature state for a prolonged period. This keeps the cellulose intact, so the fruit is firm when it’s shipped, when it’s on display, and when it’s in your kitchen.

  5. Step 19

    But fruit is not supposed to stay young. It has to ripen, to mature, and to die—and that’s when it is at its best. Whether a pear, an apricot, a fig, or a berry, I want it precisely when its maturity has peaked and it begins to die—then the cells literally burst and release all their aroma and the flavor compounds of their mature development. The explosion in your mouth of a fruit at its moment of death, so to speak, is one of the great experiences we should have with food.

  6. Step 20

    I guess I learned this when I was six or seven and we were sent to find the ripest figs. I remember looking at every fruit on all the branches, searching for ones that were split, on the verge of overripeness and fermentation. Out of the cracks, I had learned, would come a drop of the fig’s essence, an elixir as sweet as honey. This made an impression on me I’ve never forgotten.

  7. Step 21

    At my home today, right outside the kitchen window, is a fig tree. And whenever I’m at the sink, I find myself automatically looking for figs ready to explode. And then I can tell my grandchildren what I learned when I was their age—that is, if I can get them to stop racing up and down the driveway on their tricycles!

From Lidia's Family table by Lidia Matticchio Bastianich Copyright (c) 2004 by Lidia Matticchio Bastianich Published by Knopf. Lidia Bastianich hosts the hugely popular PBS show, "Lidia's Italian-American kitchen" and owns restaurants in New York City, Kansas City, and Pittsburgh. Also the author of Lidia's Italian Table and Lidia's Italian-American Kitchen, she lives in Douglaston, New York. Jay Jacob's journalism has appeared in many national magazines. From the Trade Paperback edition.
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