Ricotta

Easy enough for weeknights and special enough for guests, this dessert pairs cool and creamy ricotta cheese with liqueur-soaked fruits. You can substitute two cups of almost any other fruit you like, and you may want to try other flavors of liqueur as well.

Tart crusts can be made from other ingredients, including cooked spaghetti, polenta, and rice, or in this case, thinly sliced potatoes. The goal is to make a crisp, shallow vessel that will contain the filling without leaking. This is especially important when a custard filling is used. The baby artichokes in this recipe can be replaced by thinly sliced artichoke hearts.

This tart with a lattice top is a real showstopper. Your guests’ eyes will light up when it’s brought to the table. Known as a torta rustica in Italy, versions are served around Easter in celebration of the season. The filling is traditionally spinach, though I’ve incorporated other greens for more contrast in flavors. Other versions can have sausage, eggplant, and peppers as the filling.

This is a grown-up mac and cheese with lots of rich Italian flair. Using three flavorful Italian cheeses and incorporating pancetta makes this hearty dish the ultimate comfort food. You can use a different shape of dried pasta as long as it has a cavity to hold the creamy sauce. Try other cheeses, too.

Focaccia is one of the easiest flatbreads to make: No shaping is needed because the dough is stretched and spread out in the sheet pan. This recipe uses a very wet dough, resulting in a moist flatbread about 3/4 inch thick. You can substitute shavings of Parmesan for the ricotta salata cheese, if you like. Focaccia is best eaten the day it is baked.

Sculpted into the shanks of the Sopramonte in the barbagia is Oliena. And drifting toward it from the Nuorese road at sunset, the golden lamplight of the village bedazzles the mountain, splendoring its old, cold grayness as would the gleams of ten thousand torches. Later, inside the village as we sat with our aperitivi, we told a local man how the approach had pleased us. He said that it was ritual for the Olienesi to walk down from the village at crepuscolo (twilight) turning back to face the mountain as the sun softened, sobered down to sleep, before they strolled back up the hill to suppers. And it is from these romantic Olienesi that was begun the tradition of two celebrated Sard dolci—sebadas and sospirus. Sebadas are typically made with a fresh ewe’s milk cheese cushioned inside leaves of pastry, tumbled into bubbling oil, then given a dose of bitter honey. This version asks for ricotta and mascarpone-plumped pastries to be baked, then given a wisp of a honeyed sheen. Present them after some simple supper, such as mazzamurru (page 233), with a tiny glass of icy Malvasia di Cagliari.

Bestriding the shoulders of the island’s western verges is the perfect borgo medievale (medieval village) of Erice, called so after he who was the mythical son of Venus, sired by the king of the ancient tribe of the Elimi. There is a fascination about the village, its apocryphal tales and its truths—gifts, one thinks, of the cults that once worshiped the gods of beauty and love there and carved into the village walls scripts still undecipherable. Limpid, sweet is its air, and from its sweeping lofts one sees Mt. Etna, her fury diffused in far-off mists. And there on a small piazza sits the pasticceria of Maria Grammatico, who fashions the most gorgeous, most delicious evidences of rustic Sicilian pastry. Many of Signora Grammatico’s formulas are borrowed from the epoch of the Ericina convent pastry-making—it, too, having once practiced a temperate rather than a Baroque style. This is a version of the celebrated Ericina ricotta pie.

So unlike the exquisitely wrought sweetmeats of other southern pasticcerie, pastry in Basilicata is often in the form of some rustic fried fritter, its batter honey-sweetened and studded with raisins or nuts. The most luscious version, though, is the one that asks for ricotta and dark rum. We found them being made in a small shop with an even smaller selling counter on a little street off the Via Pretoria, just before one reaches Piazza Mario Pagano in Potenza. On more than one iced winter’s morning have we stood outside its doors and waited for the sugar-dusted, crisp-crusted warmth of them.

Unlike the ricotta forte of Puglia, prepared laboriously, asking that the fresh cheese be left to drain off its opaline waters and to acidify, the dry cheese to then be kneaded, worked each third or fourth day for at least two months until it takes on a burnt ivory sort of color and its perfumes come up stinging, pungent, this version is prepared in moments. Yielding a condiment less punishing in its aromas, the Calabrian ricotta forte is still of an assertive and keen savor, which when smoothed over warm, crusty bread, glorifies the richness of spiced sausages and salame presented as antipasto. A few dollops of it, thinned with drops of pasta cooking water and tossed with bucatini or spaghetti, make a fine dish. Tucked away in a crock in the refrigerator for a week or so, the vigor of ricotta forte ripens and intensifies.

An inordinately rustic dish, it asks so little of the larder and the cook and gives up good, potent flavor. The Lucani are wont to add another crushed chile to the pasta at table or under a tree, as the case may be.

We had been in Puglia and its environs nearly a month. Sapped from our journeys, our palates debauched into slumber from the opiate of too many chile peppers, our wits palled from nightly Circean cups, we needed redemption from the table. We asked each other what would soothe. Surely we needed to stop driving. Fernando wanted pastina in brodo—tiny pasta cooked in broth. I wanted a small custard pie, warm, soft. I wanted bread and butter. We both wanted to be in a place with not one more three-thousand-year-old olive tree. We wanted sympathy more than we wanted supper. And there we were, lost in Otranto. When finally we asked the same giornalaio, newspaper seller, for directions to our intended destination of Melpignano for the third time and got the third different answer, we thought it a good thing to surrender our search for the unnamed, unsigned place there that had been pressed upon us by our friends in Lecce and simply brake at the next and nearest little place with even the thinnest promise about it. Finding it, we tumbled out of the car, shuffled up the drive and asked if there might be a room for us. The cheery little man took our things, showed us up the stairs, started up the heater for the bathwater and began the reverent story of his wife’s genius in the kitchen. I saw Fernando’s face fading a bit toward citrine. Swooning, I tried so to smile at the even cheerier little man through my narrowing vision. He began his pastoral roundelay with her pigeons braised in red wine and juniper, on to her lamb roasted with potatoes and wild mushrooms, before coming to the rhapsody of her way with goats’ hearts poached in white wine and lemon. Fernando was nearly able to deflect him with an inquiry about the era of his handsome stone house before he began the lip-smacking tale of the pigs’ livers roasted on branches of bay. We closed the door. We took a bath. As we were dressing, the cheery little man knocked gently. They were waiting for us—he, his wife the cook, his son the university student, his brother the hunter, his friend the winemaker. They’d thought, since there were no other guests, we might dine together, make a real celebration of the evening. They had laid a beautiful fire and lit candles upon a narrow, wooden, unclothed table set for seven. They were so sweet, so excited by our presence, for their own clever spontaneity, for the prospect of a long winter’s evening to be passed at table. Fernando rallied and began nibbling at a creamy heft of new pecorino sitting on a crisp white cloth next to our aperitivi. I followed the lady into her kitchen, unraveling our adventures in a nervous sort of monologue. Rather than sympathy, she offered her envy. “Beati voi, tutti questi giorni in giro, sempre a ristoranti.” “Blessed are you, all these days running about, always in restaurants.” I thought to be more direct. “You know,” I said, averting my eyes from the legs of lamb she was basting, “what I would like most this evening is to eat something simple and comforting. I feel like a tired child.” She looked at me for the first time, really looked at me, heard me. She wrapped her great, fleshy arms about me, crushing me to her moist, rosemary-perfumed bosom. She had understood. She marched me back to the table with instructions to sit quietly, sipping at the winemaker’s best red and to wait. After a half an hour’s sashaying to and from the kitchen with the first of the feast’s plates, the lady, her broad olive cheeks blushing up to the corners of her dark eyes, carried in a small, white porcelain bowl with its own cover and set it down before me. I lifted the lid, unloosing the scents of cinnamon and butter and perhaps of chocolate, which curled up through a tangle of pale yellow noodles swathed in a curiously dark sort of sauce. “Ecco la pasta in nero,” she exclaimed. “There it is, pasta in b...

Twenty kilometers from our home sits the bustling Latian village of Acquapendente. There we find our trustworthy pork butcher, our panificio di famiglia (family bakery), and the only shop between Rome and Florence where Erich can find the music of Astor Piazzola. Hence, Acquapendente is a sort of vortex for us. It is on early Friday mornings when it beckons us most plaintively, the day the market—the mercato—comes to town. It is a good-enough market at any time of the year, but steeled in late January fogs is how we like it best. From our home in San Casciano dei Bagni, higher up by four hundred feet and, in winter, sitting nearly always in crystal air, we descend the narrow, sloping road past the sheepfolds, past the ostrich farm, away from the new, gold sun, fresh from its rise, and into the thick, purply mists of the rough little place. Wrapped in our woolens we stroll the abundant tables of green-black Savoy cabbages and violet broccoli, baskets of potatoes and turnips unwashed of their Latian earth. Here and there are lit small, consoling charcoal fires in funny little tripod burners over which the farmers thaw their ungloved hands. Just outside the fray are the humbler posts, those that beg no rent, that are had for their predawn staking. The farmers, sober in the unpacified cold, unwrap their often meager stuffs—a basket of chestnuts, one of cauliflower, and once, a man, standing beside his little pile of pumpkins, held a brace of pheasant, still dripping their blood on the frozen ground, his booty from a predawn hunt—offering them at far lower prices than those asked by their more prosperous colleagues inside the village. It was there, too, at the Friday mercato in Acquapendente that a woman from Bolsena, who was selling just-ground chestnut flour, sat on the edge of her table and wrote out this most wonderful recipe. The smokiness of the chestnut flour enlarges upon the forest scents of the mushrooms, the whole combining into a sensual sort of rusticity. If chestnut flour is not to be found at your specialty store, substitute whole wheat or buckwheat flour and mix 3 ounces of canned, unsweetened chestnut puree with the mascarpone.

Give me almost any combination of toppings, and I’ll turn them into a delicious savory tart. The formula is always the same: the crispy, buttery puff pastry crust; a creamy base of ricotta and crème fraîche; a layer of oozing, usually pungent cheese; and then, of course, the topping. In this case, I sauté an array of winter wild mushrooms until they’re tender, chewy, and still a little crisp. Since they seem to make everything taste better, I can’t resist tossing in a few handfuls of sweet young onions with their spicy green tops. As they all bake together, their flavors unite into this decadent and sophisticated “pizza.”

I was raised by a beet-hating mother, so we never ate them when I was growing up. But when I left the nest and actually tasted a “forbidden” fresh beet, I was smitten with its sweet earthiness and beautiful color. For years, my mother and I battled back and forth: I relentlessly tried to convince her of beets’ many virtues, and she adamantly hung on to her contempt for them. One Sunday, she called Lucques to ask me what we were serving for supper that night. And then I did it—I lied to my mother. I couldn’t help myself, and made up the name of a beetless dish that I knew would tempt her. I told myself it was all for a good cause. When Mom came in that night and tasted roasted beets, bathed in toasty cumin vinaigrette and arranged on the plate with so many delicious treats, like Nyons olives, fried chickpeas, and slivers of dried ricotta, I knew I had cured her of her beet-hating ways.

Lucques had been open only a few months when we were asked to host an Alsatian wine dinner. Working on the menu reminded me of a road trip I had taken many years before through that northeastern region of France. With a corkscrew in the glove compartment and a stinky wheel of Muenster tucked away in the backseat, my boyfriend and I tooled around the picturesque Alsatian countryside. We lived for a few days on tall glasses of Hefeweizen—golden, unfiltered wheat beer always served with a slice of lemon—and on wedges of Flammeküche, warm, cheesy bacon-onion tarts. I made this version of that traditional tart for our wine dinner.

I hope this quail recipe tempts you to venture away from the usual poultry mainstays. These smaller birds don’t have as much meat as others, but they make up for their size in flavor. On this platter, you’ll find all of my favorite Sicilian ingredients. Ricotta is the favored soft cheese of the south, and here I’ve blended it into a hearty, savory pudding. Pancetta, the essential flavoring of so many things Italian, gives the wilted spinach its salty punch. Olive oil–toasted breadcrumbs are the crunchy finish, a tasty result of the Sicilians’ thrifty mentality. And last but not least, currants and pine nuts are a classic Sicilian combination, bringing sweetness and earthiness to the dish. Grilling the quail gives them a smokiness you can’t achieve in the oven. Build a large fire, and spread the coals to heat the entire surface of the grill. If your barbecue is too small to accommodate all twelve birds at once, grill them in batches and reheat in a very hot oven just before serving. Watch the birds carefully as they grill, so they don’t overcook and dry out.