Mint

Deep in the Gothic tangles of the Aspromonte sits the fourteenth-century Santuario della Madonna di Polsi, a refuge culled by an ancient order of cloistered sisters dedicated to the honor of the Madonna, through a life of acetism. Once a year, though, in the early spring, when pilgrims from faraway parishes walk over Monte Montalto to the sanctuary to celebrate the festival of the Madonna, the nuns sacrifice a flock of newborn lambs to the glory of her, braising their flesh in old, shallow coppers and feeding the faithful at long, rough-hewn tables set out on a meadow floor.

Made with bruscandoli, hop shoots, should their wisp of a season embrace Easter. If not, one searches out the first, slimmest shoots of asparagus.

Perhaps until the beginning of this century, there came always, in the severe mountains of the Abruzzo, a haunting desperation with the first days of May. Bankrupt of the thin stores conserved to abide the incompassionate winter—their handkerchief-sized patches of earth sown a few weeks before—the contadini (farmers) waited then for the land to give up its first nourishment. Often it came too late and many died. And even as time brought more mercy, these terrible days were remembered, the pain of them soothed by a simple ritual. The story says that on the first of May, sette fanciulle virtuose—seven young virgins— went from house to house in a village in the Marsica, the area that suffered most in the past, and begged whatever handful of the winter food that might remain in the larders. And, then, in the town’s square over a great fire in a cauldron, the fanciulle prepared a beautiful pottage to share with all the villagers, to bring them together, to warm them, to keep them safe. The potion was known as la virtù—the virtue. The soup is still made, ritualistically, faithfully, each first of May in many parts of the Abruzzo—most especially in the environs of Teramo, as well as in the Marsica—now more extravagantly, brightening the humble dried beans with spring’s new harvests. Employing even a handful or so of all the ingredients results in a great potful of the soup, assigning it thus as a festival dish. On some sweet day in May, invite twenty-nine or so good people and make the soup for them. The tail of a pig and one of his ears, though they are traditional to the soup, seem optional to me.

Should there be, one day in your life, both a handful of still-warm-from-the-tree ripe figs and the juice-dripping flesh of a melon, go quickly to find leaves of mint, some good green olive oil, and the juice of a lemon to make this little salad. Use only flawless components and arrange them for someone wonderful with whom to rhapsodize over it. You might, then, need heady, appropriate conversation. You could choose to speak of Platina—one Bartolomeo Sacchi—the Vatican librarian and author, in 1475, of Platine de Honestate Voluptate. The work’s argument concerns the history of Roman cuisine and was the first officially published cookbook since those written during the Republic. Or you might want to chatter a bit about Cantalupo in Sabina—the Singing Wolf of the Sabines—once a papal garden property outside the Roman walls where a strain of tiny, orange-fleshed melons were cultivated, they, no doubt, being the precursors to those we call cantaloupe. Perhaps you might choose not to speak at all, thus distracting nothing from the sweet little figs.

These are Rome’s other artichokes. Softened rather than crisped in their oil bath, they are of an extravagant goodness.

Not so many springtimes ago, I knew it was a Roman birthday for which I yearned, convinced that the salve of the place would soften the edges of a long sadness. Arriving crumpled and unslept on that morning, I slid my two dusty bags under the purple flounce of the bed in my genteelly shabby room at the Adriano and bolted off to the Campo de’ Fiori. I needed lilacs. I explained to the flower merchant in the market my desire to bring più allegria—more cheerfulness—to my little hotel room, that I was preparing for a sort of birthday party. He amplified the girth of the sweet-smelling sheaves I’d chosen and dispatched his helper to carry the towering bouquets through the twisting streets back to the Adriano. His field of vision completely contained inside thickets of blossoms, the porter left me to play front guard, to scream commands and admonitions back at him, staging a droll farce that could happen only in Rome. Safe inside the hotel with the lilacs, I purloined a large metal wastebasket from the reception hall, tied up its middle in a length of green silk, and installed the great, weeping blooms at the foot of my bed. I raced back to the market to fill two baskets with tiny, blushed velvet peaches still on their branches and hung them from wall sconces and draped them over mirrors and bedposts and on the roof of the dour, mustard-colored armoire. I collected breads from the forno (bakery) in Via della Scrofa, not so much to eat but for the comfort of their forms and their scents. I unwrapped the Georgian candlesticks I always carry with me from their cradle in my old taffeta skirt, threw open the shutters to beams of a rosy moon, and the birthday room was ready. I’d collected a beautiful supper at Volpetti: a brace of quail, each reposing on a cushion of roasted bread—depository for their rosemary juices—olives crushed into a paste with capers and Cognac, a stew of baby artichokes, new peas, and fava beans scented with wild mint and called, mysteriously, la vignarola—the winemaker’s wife—and a small, white, quivering cylinder of sweet robiola (fresh handmade cow’s milk cheese). I laid the feast on the dressing table, serving myself only bits of it at first. But little explosions of goodness insinuated themselves, and the quiet supper urged me into the goodness of the moment. Hungers found, strategies resewn. Happy birthday. During the time I lived at the Adriano, I went each morning to the market in Campo de’ Fiori, stopping to chat with my flower man, he introducing me to the lady with the slenderest, most delicate asparagus, which I devoured raw, like some earth-scented bonbon, and the one with the baby blood-red strawberries collected in the forests of Lake Nemi up in the Alban Hills. A ration of these beauties I vanquished each afternoon between sips of icy Frascati from my changing caffè posts along the campo. With those weeks as initiation, I might have stayed the rest of my life in the lap of that neighborhood, that village within Rome so contained and complete unto itself, and surely would never have known a single lonely day. More than she is a city, Rome is a string of small provinces, fastened one to the other by old fates.

For nearly a century, the mattatoio, the slaughterhouse, of Rome was fixed, south of the city’s center and flanked by Porta San Paolo and the Piramide di Caio Cestio, in the quarter of Testaccio—a hillock formed by the dross of terra-cotta amphorae that held olive oil and other comestibles imported into the city. Of an eloquent, uncompromised Roman character, the quarter grew up simple little houses in whose kitchens were cooked the humble remains of the butchers’ art, transforming the offal into i piatti fortissimi—the strongest plates—to serve to the workingmen for lunch. Il mattatoio has long since been relocated, but the Testaccio still practices the most orthodox Roman gastronomic traditions, building dishes such as nervetti in insalata, a salad of poached calves’ feet, coda alla vaccinara, (see page 4), pajata, the grilled or braised intestines of a calf or an ox, and trippa. As prosaic as are the formulas for these dishes, the manner in which they are presented is also prescripted. First, if the proprietor in any one of the neighborhood’s tabernae—Romans swing easily in and out of Latin, as in this usage for taverns—doesn’t approve one’s general look or demeanor, he will point, steely, to a little sign marked COMPLETO, reserved, that is fastened, permanently, handily for such occasions, to a rope of salame suspended from the rafters. If he does deem to seat one, neither he nor his colleagues will be charmed if one speaks Italian. It is only the dialect of Rome that is shouted in the Testaccio. It seems best to communicate, through eye-rolling and hand-flailing, that one wishes all decisions to be made by the house, that one is armed with magnificent appetite, and that one shall remain serene and unrepining at whatever part of whatever animal may be set before one. Our place of choice to be fed like a Roman is called Da Felice, an unsigned post in Via Mastro Giorgio. We go always of a Saturday so we can always eat tripe. Soaked in water and vinegar, urging the nastiness from its pores, the tripe is poached before it is sautéed in a battuto (the fundamental vegetable, herb, and fat flavoring for a sauce) of pancetta, olive oil, and garlic, then braised overnight on the quietest flame in tomato, white wine, and wild mint. A Saturday ritual in the Testaccio, as well as in every genuine osteria and trattoria in Rome, la trippa is served in deep bowls, under a dusting of pecorino, with chunks of rough bread and a jug of Frascati. Food of the poor is this tripe, flotsam conjured into a flavorful, cockle-warming stew, one that a sage Roman wouldn’t trade for a big, bloody beefsteak, not even one flounced in truffles.

Earthy, sweet beets and tangy, juicy tangerines were meant for each other. I’m just the hungry matchmaker. I set them up on an exotic date with a splash of fragrant orange-flower water and ribbons of mint. Not only do they taste delicious together, they also make quite a stunning couple.

This invigorating dish is a refreshing change from the hearty comfort foods of winter. The herbs here aren’t relegated to the sidelines; tossed with arugula, they become the main attractions of this bright salad. Meyer lemons are diced with their peels on and combined with green olives, champagne vinegar, honey, and olive oil for a bracing sweet-tart salsa to accompany the grilled halibut.

When I was growing up, apples seemed so bland and boring—I could never get excited about a mushy Red Delicious the way I could a summer peach. But today, thanks to small farmers around the country like Barbara and Bill Spencer of Windrose Farms, we have a lot more choices where apples are concerned, and a lot more to get excited about. Determined to revive the disappearing heirlooms, the Spencers painstakingly planted more than forty varieties of apple trees on their farm in Paso Robles, California. It took 6 years for the trees to produce, and that glorious fall, when Barbara turned up at the back door of Lucques with boxes and boxes of their impressive crop, I was blown away. The apples looked dazzlingly beautiful and tasted even better. From russeted emerald greens to mottled pinks to deep burgundy-blacks, we sampled our way through them all, picking our favorites and taking note of which were better raw and which were better cooked. Some of our favorites for eating out of hand were Braeburn, Arkansas Black, and Gernes Red Acre. Crisp, sweet, and tart, these revelatory fruits were the inspiration for this fall salad. And if it’s not enough that they’re growing all these beautiful heirloom apples, Barbara and Bill also grow some of the best Asian pears I’ve ever tasted. Juicy and delicately perfumed, they’re a fun surprise, sliced and tossed with the apples, buttermilk, mint, and radicchio in this thirst-quenching salad.

This early fall medley was made famous by the legendary Richard Olney, whose books brought the south of France to kitchens all over the globe. In his recipe, the prosciutto is julienned, scattered over figs, and drizzled with a crushed-mint cream. In this version, I add melon, and instead of thin strands of prosciutto, I drape whole slices around the fruit to create a layered antipasto. There’s no right or wrong type of fig for this dish; as long as they’re super-ripe, luscious, and oozing, they’ll work beautifully. If you have the luxury of choosing more than one variety of fig, such as Genoa, Adriatic, or Honey, this is a spectacular way to show them off. The same rules apply for the melon: just pick the sweetest, most perfumed one you can find.

While living in Rhode Island and working at Al Forno, I was fascinated by the celebrations that revolved around food (especially in the Italian and Portuguese neighborhoods) and the connection Rhode Islanders felt to certain local produce, like their native tomatoes and homegrown corn. The most prized dish in tiny Rhode Island is the johnnycake. Originally called journey cakes, these cornmeal griddle cakes, made with locally milled native corn, have been the pride and joy of Rhode Island since the seventeenth century. County competitions are held annually, and there’s even a group called the Society for the Propagation of Johnny Cakes that sees to it that their corn-pancake tradition stays alive and well. So it seemed natural at Al Forno to add that famous stone-ground corn to our shortcake biscuit. Here I’ve borrowed Al Forno’s foolproof recipe and added peaches and my own “soured cream.” To get the peaches nice and saucy, I marinate them in simple syrup with mint and then purée a portion of the fruit to spoon over the biscuit. Feel free to make this shortcake with whatever juicy fruit you like, such as nectarines or berries. The biscuit recipe makes about eight in all. So don’t worry when you notice one or two mysteriously missing after they’re pulled from the hot oven and left to cool on the counter; you’ll still have enough to feed six.

One of my favorite dinners growing up was my mother’s veal piccata. Her recipe came from an old cookbook called The Pleasures of Italian Cooking, by Romeo Salta, a gift to her from my father. My father had been a devoted fan of Romeo Salta when he was the chef at Chianti in Los Angeles in the fifties. Back then, it was a swinging Italian joint with red-checkered tablecloths, opera 78s blasting, and red wine flowing into the late hours. My mother’s (and Romeo’s) veal was pounded thin, sautéed, and drenched in a lemony caper-butter sauce. There’s nothing wrong with that classic rendition, but, to add another layer of flavor, I brown the butter and finish it with salsa verde, a pungent purée of capers, anchovies, garlic, oregano, and tons of parsley. To get the finest, crispy crust on the veal, I dredge it in Wondra, a finely milled flour sold at most supermarkets. This dish is home-style Italian comfort food at its best.

In many antiquated recipes for this Southern specialty, infusing mint syrup is a necessary step in making a proper Mint Julep (page 78). This is a very simple ingredient to make and will greatly enhance the flavor of the cocktails you use it in. It is traditionally used as an ingredient in juleps and smashes.

This is a party version of the Pimm’s Cup (pages 110 to 112), for when you want to give your guests a break during a three-day cricket match marathon. The difference is you have a few more fresh fruits at your disposal. We find it tastes best if in addition to the cucumber and mint you add strawberries, diced apples, and orange half-wheels. Then again, you can experiment for yourself and play with some seasonal fruits. Maybe some pears will give it your special touch; gin and pears mix really well. When preparing the large-batch cocktail, try to press the fruits and herbs very gently. It’s essential that you mix the large batch several hours ahead—ideally, the night before your guests arrive. Refrigerate it to let the fruits steep and release their essence into the blend.

This punch is simple, easy, and highly refreshing. It was born out of necessity when we opened for brunch and had to serve tons of our West Side cocktails to the girls brunching in our garden. The solution was simple and a win-win for us and the guests. We love to recommend this punch in the summertime; its flavors and crispness will freshen up the nastiest hangover. Perfect for weddings, bar mitzvahs, bridal and baby showers, and all those cute get-togethers people have.

This cocktail is an Employees Only variation of the famous South Side cocktail (page 130), first served in the 1920s at the New York speakeasy Jack & Charlie’s—now known as the 21 Club. We replaced the gin with Meyer lemon–infused vodka to achieve a more balanced, subtler concoction. God only knows how many West Sides we have pushed over the bar in the last five years. It is by far the most popular cocktail served at Employees Only and lends itself naturally to being enjoyed in the sun. Why is this cocktail so popular? Even if we ignore the fact that it is a vodka cocktail and the fact that we are witnessing the end of the reign of vodka, the simplicity of a cocktail with just lemon and mint flavors makes it addictive and refreshing. It will definitely be a favorite at any cocktail party, served over ice or in pitchers.