Fennel

Olive oil is very good as a poaching liquid, especially when you want the poaching liquid to gently transfer heat yet not penetrate the food. This method yields amazingly moist fish. And it’s lovely to use the infused oil in the salad dressing for the accompanying salad.

This tart has a crunchy cornmeal crust filled with an earthy combination of wood-roasted mushrooms and chard paired with caramelized fennel and nutty cheese. If chanterelles or oyster mushrooms aren’t available, use all cremini mushrooms. The tart will still be sensational.

Paula Wolfert and I revised this fabulous dish of hers for cooking in my wood-fired oven. The key is to cook it until the lamb is falling-apart tender. The recipe is adapted from Paula’s book, The Slow Mediterranean Kitchen. It comes from the southern Italian region of Apulia, where it is baked in a shallow terra-cotta dish called a tiella. You can make it entirely in the wood-fired oven, or cook the onions and brown the lamb on the stove top, then move it all to the oven to finish cooking.

The Swiss chard in this dish has a slightly bitter flavor that works well with the fragrant fennel and salty olives. The sliced meat is topped with a delicious uncooked Italian sauce thickened with leftover bread and pulverized toasted nuts.

R. B.’s childhood campout hobo packet memories have inspired many of our favorite side dishes. He’s put just about every vegetable combo imaginable in a foil packet on the grill. Without added water, vegetables steam in their own juices and roast beautifully over the direct high heat of the grill. Even better and easier than the grill is the even heat of a hot oven. If there were a hobo packet merit badge, R. B. would have definitely earned it.

Harvests from the great, silent fields of sun-bronzed wheat result in more bread than pasta for la tavola siciliana, yet there is a trio of pasta dishes that is cooked throughout the island. One of them dresses pasta in eggplant and tomatoes perfumed with wild mint and basil, the whole dusted with grated, salted ewe’s milk ricotta. Called often pasta alla Norma in celebration of Catanian son Vincenzo Bellini it can be a gorgeous dish. Then there is pasta chi vrocculi arriminati—dialect for a dish that calls for a paste of cauliflower and salt anchovies studded with raisins and pine nuts. Although it is luscious, it cannot compete with the glories of the island’s pasta con le sarde. A dish full of extravagant Arab timbres, it employs fresh, sweet sardines, salt anchovies, wild fennel, and a splash of saffroned tomato. One presents the pasta cool, as though heat would be violence against its sensuousness. Wild fennel grows abundantly on the lower shanks of Sicily’s mountains and, too, along the craggy paths of some of her islands. I used to collect wild fennel along the banks of the Sacramento River and I’ve heard tell of great clumps of its yellow lace heads bobbing along country roads in America’s Northeast. Now I find it a few kilometers from our home in thickets against the pasture fences along the Via Cassia on the road to Rome. Though the scent and the savor of cultivated fennel is sweeter, it behaves well in collaboration with these other elements and yields a still-sumptuous dish.

After the fast demise of Sybaris, it was Taranto that grew up, the city most splendid of Magna Graecia. And it was there that oysters were first cultivated, for the coddling, I suppose, of true sybaritic cravings. Taranto was and is quite perfectly situated for the business, sitting, rather like an island, between the mar piccolo—the little sea—a coastal lagoon fed by both fresh and sea water and the mar grande—the big sea—part of the Gulf of Taranto in the Ionian Sea. And it is this very shifting in the salinity of the waters around Taranto that builds up the sweetest, fattest oysters. Nothing better can be done to a fine oyster than to slip it down one’s throat, chasing it with sips of some crisp, icy white wine. But here follows a recipe for barely roasting oysters that, if not ennobling them, at the least takes nothing from their own natural goodness.

In the autumn, as schools of swordfish swam south into the Bay of Policastro, the fishermen of the Cilento were often their conquerors, luring the great fish with oil-soaked bread and hauling them up from the sea—porting them like vanquished kings, high atop their heads up the steep paths from the water—to their camps to roast them or smoke them over smoldering fires of pine and olive and citrus woods. Sometimes, the Cilentini cured the fish under salt and foraged grasses and spiceberries, dousing the flesh with their own rough-made spirits. Served a dish such as this, one could think it the offering of some cultivated chef, yet, then and there, it was nothing more than the improvised handiwork of hungry men.

This dish is the Italian equivalent of the French grand aïoli. In France, a colorful assortment of vegetable crudités is accompanied by a large bowl of garlicky homemade mayonnaise. In Italy, instead of dipping the vegetables into aïoli, they dunk them into a bowl of bagna cauda, a “warm bath” of garlic and anchovy simmering in butter and olive oil. In this dish, I toss my favorite winter vegetables with the bagna cauda and pair them with a meaty Australian bass, barramundi. Feel free to adapt the recipe to your location, season, and cravings. If you’re in the mood for asparagus or potatoes, add them to the mix. And if you can’t find barramundi, this dish is delicious when made with another bass, snapper, or halibut.

Of all winter squash, Kabocha holds a special place in my heart. Rich and sweet, its dense orange flesh is one of my favorite winter flavors. For this soup, instead of sautéing the squash and fennel, I roast them in the oven to bring out their natural sweetness. If you can’t find Kabocha, use another winter squash, such as butternut or Hubbard. The pumpkin seeds, or pepitas, are coated in sugar, paprika, cumin, cinnamon, and cayenne; I think of them as adult Halloween candy. Sprinkled over the top, they give this delicious winter soup a feisty coronation.

Rainbow trout is a delicious option for fish-loving home cooks. It’s available year-round and won’t break the bank even when you want to feed a crowd. Have your fishmonger bone and butterfly the trout for you, leaving the tail intact and keeping the two fillets attached on the fin side. This preparation is a study in contrasts, a three-way complement to the flaky flesh of the trout. The blushing sweet-tart sauce is made with both crushed grapes and verjus, the juice of unripe wine grapes. (The French used verjus in medieval and Renaissance times in much the same way we use vinegar or lemon juice today.) Less acidic and more complex than most vinegar, the verjus’s refreshing fruitiness plays counterpoint to the salty cured Italian bacon wrapped around the trout. And finally, hidden within this lively package: rich, herbaceous sorrel cream, bringing us back to earth.

While I’m not a fusion person, I do often find myself melding different cultures into a single dish. This chicken dish is a great example, drawing paprika and sherry from Spain, and dates, saffron, and couscous from Morocco. In place of Morrocan couscous in this dish I use fregola sarda, Sardinia’s answer to traditional couscous. Fregola sarda is made from hand-rolled balls of coarsely ground semolina. Although often called “Italian couscous,” its larger size and slightly toasted flavor distinguish it from its North African counterpart. It lends the dish a nutty flavor and chewy texture, and is the perfect accompaniment to soak up all the spiced broth and fragrant saffron onions. The final addition of sliced dates and fresh herbs gives this Mediterranean tagine a sweet finish.

My very first chef position was at a twenty-eight-seat restaurant called Alloro, located in Boston’s very Italian North End. At that point in my career, my cooking experience was rooted mostly in French cuisine, but the owner didn’t seem to mind. When I asked him if I had to cook strictly Italian food, his answer was, “No, no, no! Cook whatever you want. We’ll just give it an Italian name.” The French bistro classic salmon with beluga lentils and red wine butter was abbreviated to “Salmone” on the menu, and other quasi-French dishes were likewise masked under short Italian names. The pasta dishes I made at Alloro also strayed from Italian tradition. For my version of the classic spaghetti alle vongole, I added generous amounts of onion, fennel, and olive oil, and sprinkled breadcrumbs toasted with thyme on top. I also finished the sauce with a spot of butter (the French influence again), which thickened and enriched it. In theory, I’m sure my version of spaghetti with clams would outrage purists in both the Italian and the French camps, but one bite ought to be enough to convince them they have lots to learn from each other. Though you might not think of it as such, the water in which you cook pasta is a valuable ingredient, in virtually any pasta recipe. Do your noodles seem a little dry once you’ve tossed them in the sauce? Rather than correcting the problem with stock (which can alter the flavor balance) or oil (which can add greasiness), add a little pasta water instead. Not only will it moisten the dish, but the starch in it (left from the cooking of the pasta) will also help bind the sauce to the noodles. Try it out; it works.

With both fennel seeds and fresh fennel, you get an intensely fragrant dish. I can’t think of a simpler or faster dinner. With good crusty bread for soaking up the juices and a simple salad, you’re all set. Look for small Prince Edward Island mussels—they’re my favorite.