Almond

Every province on the island claims its own version of this ethereal sweet to be the one-and-only true sospirus. The Olienese hand seems the most gentle with them, though. The very old woman from whom I learned to make them shook her small, kerchiefed head throughout the ceremony, moaning, keening, really, that the confections could only be made from the eggs of Sardinian chickens. Her theory, perhaps valid, was that Sard hens feed on myrtle berries and whey from cheesemaking and that these nourishments render the substance of their eggs less viscous and thus better suited to the construction of delicate pastries. All I know for certain is that I can bake gorgeous sospirus with the eggs of Tuscan hens who eat worms and bugs and corn.

Like popcorn, nuts taste best sprinkled with extra-fine-grained salt that sticks to the snack. That’s why the cheater thing to use here is Lawry’s seasoned salt, a ready-to-go finely ground blend of salt, seasoning, and sugar that becomes one with the nut. If you use coarse kosher salt, you’ll find the flakes sitting in the bottom of the bowl. You can smoke all kinds of nuts—peanuts, pecans, whatever you like—but the nuts must be raw. Stay close to the oven during the final ten minutes of roasting. The toasty fragrance will let you know when they are ready.

Deep in the interior of the island on the fringes of the barbagia is Nuoro. It seemed a cultural suicide, wielded by unsentimental politicos over this past half century, that smote Nuoro’s picturesque and pastoral life. This, the place on Sardegna where Stone Age man first set his fires, the place least contaminated by the passing of the millennia, was swiftly, gracelessly swept away by those compelled to gentrify her. Little has changed about the Nuoresi themselves, though. As best they can midst their fresh new proscenium of concrete, they still dance their simple rhythms, honor legacy and heritage with their reserved sort of gaiety. A sweet—once made only by the Nuorese massaie, farmwives—is now fabricated in crisp, shiny laboratories and sent then, in its handsome trappings and tassels, to elegant shops on the Continent. Still, the women cook their ancestral aranciata at home for feast days, sometimes tucking it into bits of lace, placing little pouches of it at everyone’s place at table, then hiding an old silvered tin of it in the back seat of a new friend’s automobile.

A pastry reflecting the famous half-roasted, almond-stuffed, bay and anise-perfumed figs that Puglia exports to all of Europe, the ripe sensuality of it merits a true hunger, one not dulled by the prologue of some long, winy supper. Nibble only at a plate of fresh cheeses before it. Better, present it with no prelude at all.

...in the Manner of Saint Mary of the Bath.

Made from handmade whole wheat or egg pasta cut into wide ribbons—half of which are sautéed until golden in garlic and chile-scented oil then, along with the poached pasta, tossed with roasted almonds and chickpeas softened in a rosemary, garlic, and bay-scented bath. It is a beauty, the crisp, garlic-scented pasta against the soft, delicate ribbons of it with the mealy, nutty little chickpeas and the bitter almonds stitching them together into a plateful of fantasy conjured from homey stuffs.

A gastronomic heirloom of the coast, this is a humble recipe made from the bits and pieces of what was at hand, sometimes eaten as a principal dish or a contorno, a side dish, other times as a sweet. It is still presented— though in dramatically different versions—in cherished places such as Da Gemma in Amalfi. This take, however, is lighter, less vegetal than most of those with which we’ve been presented, the trick being the absolute thinness of the eggplant slices. This enables them to blend better with the other components, all of them then settling down together into a nicely married sort of flavor and texture. More eccentric than it is bizarre, this version of the ancestral dish turns out to be quite luscious.

The town of Scanno is bedded quaintly on a valley floor near the tortuous Gole del Sagittario—a mountain road called the “Throat of Sagittarius,” on the fringes of the Parco Nazionale degli Abruzzi, a national park and nature reserve. Bespeaking eloquently its Late Renaissance and Baroque past, its little streets and alleyways are warmed by artisans working in gold and silver and lacemakers with their small wooden hoops. The women—many of them, rather than only an archaic few—toddle through the enchanted tableau of the old village on Sundays garbed in long black skirts that rustle their arrival, their hair swept up in gorgeous and ornate headdresses of lace and velvet, their arms comforted in black woolen capes. Theirs is no quaint, historic burlesque. They are wearing the clothes that please them, that are faithful to their images of themselves, that honor their heritage. They are at their ease. A poetically costumed nonna (grandmother) admonishes her young grandson—in jeans and a T-shirt, his hair falling in soft brown curls below his shoulders—to be neither late nor in a hurry for Sunday dinner before she disappears through the small, humble portal of her home. Scanno, if one watches her carefully, will give view to a life inviolate. And these are her traditional biscuits, all chewy and full of spiced Renaissance perfumes and savors, lovely with good red wine, especially when it’s warmed and spiced with pepper and cloves, or, in summer, a little goblet of sweet, iced moscato.

My ongoing quest to find new ways to eat butter, sugar, and nuts together resulted in this happy discovery: sbrisolona. A regional specialty of Mantova, Italy, this cookie gets its name from its crumbly texture. The dough is worked together by hand into a dry, coarse meal, pressed into a cake pan, and baked until it’s very firm. I follow the Italian tradition and break the giant cookie into rough, jagged pieces. Like biscotti, its dense, nutty quality makes it the perfect vehicle for scooping up zabaglione. This old-fashioned Italian custard is traditionally made by whisking egg yolks, sugar, and Marsala wine over simmering water. In this festive version I’ve substituted slightly sweet sparkling Moscato d’Asti for the Marsala.

In so many American childhoods, cherry pie is a gloppy, cloying, Day-Glo affair. As a chef, I’m expected to disdain such things now, and, officially, I do. But I’ve always loved cherries. This Italian cherry and almond tart is everything a bad cherry pie is not: flaky, buttery, and sophisticated, with a filling the color of darkest rubies. But if someday, when cherries are long out of season, you happen to see in a corner booth at DuPar’s Coffee Shop someone who looks like me, wolfing down a slice of all-American diner pie, wearing dark sunglasses and a stain that looks suspiciously like Red Dye #40, well, keep it to yourself. Even chefs have fond memories of their misguided youth.

The first time I had gâteau basque, I was living in the southwest of France and trying, in my little spare time, to sample as many of the local treats as possible. Gâteau basque, a very moist, buttery cake with a certain je ne sais quoi, was by far my favorite. Despite its name, it’s not really a gâteau, or cake, but rather two layers of buttery, crumbly crust filled with pastry cream. As it bakes, the crust and filling meld into one delicious whole. This rural dessert has many interpretations, with fillings that vary from almonds to raisins to fruit jams. For this version our first pastry chef, Sara Lauren, came up with a pastry cream spiked with an unusual combination of Armagnac, rum, orange-flower water, and almond extract. The cake doesn’t taste like any one of those flavorings, but together they somehow evoke that unforgettable flavor of the Basque country.

Every winter, when the first blood oranges appear at the market, I’m as impressed as I was the first time I saw one, while visiting Rome my junior year abroad. One morning, at the local café where I had my daily cappuccino and pretended to read the paper, I heard a loud racket coming from behind me. When I turned and looked, I got my first glimpse of that blood-red juice spewing from the juicers lined up on the bar. I had to order a glass. When I got the bill, I was shocked by the steep price. But even back then, I knew it was something very special and worth every lira. This salad is my homage to those blood oranges that won my heart so many years ago. Layered with sweet dates, Parmesan, almonds, and a few leaves of peppery arugula, the blood-orange slices burst with sweet, tart juice. Because this salad has so few ingredients and nothing to “hide behind,” now is truly a time to seek out the very best ingredients. Once you’ve gathered your perfect components, the only difficult part is arranging them on the plate. Thoughtfully weave the ingredients together, layering them into “hills and valleys,” rather than piling them up into a “mountain.” Think of this as a tapestry, rather than a tossed salad.

Figs and almonds—a classic pairing. For this tart, I cut the figs into quarters and sauté them with sugar, butter, and vanilla for a jammy texture. Then I pour the super-easy custard base into a baked pâte sucrée crust with the caramelized figs, and bake until the top is slightly browned. Be sure to bake the crust completely before filling it, to ensure it stays crisp. Although this tart is so very French, it reminds me just a little bit of all-American Fig Newtons.

When I was growing up, I made on special occasions what my family called “the Hemingway dessert.” My father was obsessed with Ernest Hemingway. He was an avid collector of his first-edition books, and, despite his lack of academic credentials, somehow talked his way into the International Hemingway Society. My mom, Jessica, and I would tag along on their “Hemingway trips,” whose itineraries inevitably included many stops in remote villages to locate particular taverns, hotels, and cafés that the expatriate writer had at one time visited (drinking and carousing along the way, of course!). Closerie des Lilas, a bohemian café on the Left Bank, was one of Hemingway’s Parisian hangouts, and the place where this dessert originated under the name Coupe Hemingway. Don’t be afraid of making the meringue. Just remember, meringues are never good when they’re rushed, so be sure to give yourself enough time to bake them in a low oven until they’re dry and firm.

This recipe is a way to show off the best summer fruit you can find. If possible, use an assortment of fruits, such as plums, peaches, figs, and berries, but make sure that all the fruit is up to snuff. Rather than striving for variety and ending up with less-than-ideal examples of each fruit, you’re better off with a simpler salad composed of only the most perfect nectarines or gorgeous peaches all alone. The dressing is made by pounding some of the fruit into a juicy vinaigrette. Figs are my favorite for this purpose. They mellow the vinegar and give the dressing body and chunkiness. If you’ve never had a Marcona almond, you may not forgive me for introducing you to them. Rich and dense, this Spanish almond variety is outrageously addictive. If you can’t find Marcona almonds, use toasted regular almonds or pecans.

I love clafouti, especially with ripe pears, but I always felt something was missing. To make a great French dessert even better, I added a buttery crust. That thin, crisp layer makes a world of difference. Tender pears soaked with caramelized honey do, too.

This simple almond-shallot topping goes with just about any simply cooked vegetable, but it tastes best with green beans. Instead of simply blanching the beans, I char them until they develop a smoky richness.