Berry

When the bananas on your counter start to freckle, it’s time to make sorbet!

This is John Ash’s recipe for a fun and easy one-dish dessert. Although there is some debate on what makes a “grunt,” the definition seems to be that grunts, which are also called slumps, are simmered rather than baked in the oven. They are usually made with berries and the name supposedly comes from the sound the berries make as they simmer!

Many dense cakes such as pound cake can be grilled with great success. The grilling lightly toasts the cake and adds depth to the flavor. Here, Joanne Weir shares her favorite Mediterranean version, grilled polenta cake topped with seasonal berries tossed in a fruit sauce. Note: Make the cake a day in advance, and the berry compote several hours in advance so the flavors have time to blend.

Muffin-cup shortcakes made with self-rising flour turn shortcake biscuits into fast stir-up muffins. The muffins retain the biscuit qualities essential for shortcake—a crisp outer crust and a soft pillowy center that can hold up to a drenching of sweet fruit. Min sprinkles the muffin tops with fancy coarse sugar before baking because it looks pastry chef cool and has a nice crunch. Strawberries are traditional and terrific, of course, but not the only fruit to use. We spoon on any fruit that’s affordable, looks great, and is in season. Any berries or mix of berries and peaches are our summer favorites. In the winter we’ve made shortcake with sliced bananas, Smoky Caramel Sauce (page 198), and whipped cream.

Min’s Cranberry Fruit Salad is the result of her crusade to bring vibrant colors and crisp textures to those brown winter meals—including plenty of the cheater pulled and chopped meats. Bright cranberries and fall fruits make a drop-dead gorgeous salad with body, color, and crunch. Smoked turkey, chicken, pork loin, and brisket are always better with a bright accessory. Freeze extra cranberries in the fall to whip this up throughout the winter.

Caligola, Caligula—the diminutive in the dialect of the Empire for shoe—was the name given to Caio Cesare, despot of the Empire in A.D. 37. And it was under the murky waters of the small volcanic lake of Nemi, south of Rome, that were excavated, earlier in this century, two of the emperor’s small sailing ships—toy boats, really—from which his madness commanded droll, demonic games played in the shadows of the lake forest, the once-sacred woods of Diana’s mythical hunts. Now the pine and oak forests about the little lake of Nemi seem serene enough, whispering up nothing of the old horrors of the place. There, in May, begin to push up from the velvety black earth the most gorgeous and tiny wild strawberries. We like to go there then, for the festivals that celebrate them, to eat them, cool and fresh from their woodsy patches. And on a Sunday last June, as the season for them was ending, we lunched in the town of Nemi, hoping to find one last dose of the berries for dessert. Sitting out on a shaded terrace that looked to the main square, we watched the promenading of the few citizens not yet seated at table. A little ruckus came up behind us from two boys jousting with silvered plastic swords. One of them was a robust sort of chap, thickset, his patrician black-eyed face in profile to us. His adversary was a waif of a boy, a miniature of the other with the same legacy of splendid form and feature. The small one was losing the battle. I tried not to feel every blow I saw him take, the bigger one thrusting the blunted end of the toy sword into his spare middle over and over again. The little one was crying, then, but hardly in surrender. His pain was evident, his fear, too, I thought, yet he stayed to fight. Then, throwing his weapon to the side, the victor began to use his hands to pummel him. The diners around were unmindful. I begged Fernando to do something, to stop them. He told me sternly with his eyes that we must do nothing. I got up and walked, nonchalantly, over to them. “Buon giorno, ragazzi. Come stiamo? Come vanno le cose?” “Hi, boys. How are you? How are things going?” I asked inanely, as though they had been shooting marbles. Gentlemen to the core, the bigger one said, “Buon giorno, signora. Noi stiamo bene, e lei?” “Good day, my lady. We are well, and you?” “What is your name?” I asked, playing for time so the little one might catch his breath. “Io sono Alessio e lui si chiama Giovannino.” “I am Alessio and he is called Giovannino,” offered the big one. I ventured further. “Alessio, did you know that you were hurting Giovannino, that you were hurting him so terribly?” “Sì, signora. Lo so di avergli fatto un pò male.” “Yes, my lady, I know I hurt him a bit,” he answered willingly. I asked him why he would want to be so violent with his little friend. Alessio looked at me full face: “Signora, siamo romani. Combattere è nel nostro sangue.” “We are Romans, my lady. To fight is in our blood.” Educated by the eight-year-old gladiator, I could only shake his hand, then shake the hand of Giovannino and walk back to our table. Fernando told me quietly that a Roman boy could never be Huckleberry Finn. During the lunch, I noticed that Alessio, now sitting on a bench between two people who were likely his grandparents, kept looking at me, waving once in a while, smiling at me with sympathy for my unworldliness. He strolled by the table a little later and asked if we were going to taste the gelato di fragole. It’s made with basil and pepper and vinegar, he proclaimed, as though that composition might be as difficult for me to comprehend as was his penchant for rough sport. He went on to assure us it was the best gelato in Nemi. We asked him if he might like to join us. He said he couldn’t, but thanked us, bowed rathe...

The stated purpose of my junior year abroad was to study at the famous London School of Economics, but the first thing I did when I got to England was land a part-time job at the Roux brothers’ (also famous) restaurant, Le Mazarin. Of all the challenges of living abroad, I never thought I’d have a problem finding something decent to eat. Boy, was I wrong. While the food we served guests at Le Mazarin was topnotch, staff meals were a different story. Stripped chicken carcasses, limp vegetable trimmings, and, if we were lucky, a box of just-add-water mashed-potato flakes were the components of just about every meal. The rest of London wasn’t offering many great options either at that time. Fish and chips and heavy pub fare dominated the food scene in the late eighties, before Britain’s culinary renaissance. The one thing I found worth eating (and could afford on the £10 a week my job paid) was scones with clotted cream and strawberries. And that’s exactly what I ate, for 6 straight months. After so many meals of strawberries and cream, it’s a wonder that I still love that combination. Panna cotta (“cooked cream”), a silken, eggless Italian custard, is an easy-to-make complement to perfectly ripe berries. I’ve added crème fraîche to the traditional recipe to balance the strawberries’ sweetness with some tang. You can make the panna cotta in individual ramekins and unmold them just before serving or make it in a large gratin dish and spoon it out at the table family-style.

During my cooking stage at Pain, Adour et Fantaisie, a two-star restaurant in southwestern France, days off were few and far between for the commis (French for grunt line cooks). Whenever I got the chance, though, I’d round up my fellow workers for a road trip to the Basque country. We always knew when we crossed the border into Spain, because everything looked different—the Spanish hillsides were rugged and less pristine than the green countryside of southwestern France. We were cooks, so food was the first thing on our agenda. After plates of jamón and several bottles of red wine, we headed to the bakeries, where I was charmed by the simple, heartfelt sweets of the Basque bakers. A few years back, I was reminded of those quick forays into Spain by an excellent cook named Brian Edwards. His training in Spain had left him with fond memories he was eager to share. When he described his favorite Basque dessert, pastel vasco, I knew it was my kind of sweet. A simple pound cake made with rum and layered with fruit compote sounded like the perfect addition to our dessert list. My pastry chef at the time, Kimberly Sklar, did some research and perfected her own version of this rustic Spanish sweet. We put it on the menu, but for some reason it didn’t sell. One morning, I toasted a slice of leftover cake in a buttered cast-iron pan and ate it with warm berry compote. Unable to fathom how such deliciousness could be ignored, I put it back on the menu, embellishing the description just a little: “Pastel Vasco, toasted in the wood-burning oven with blackberries and poured cream.” The power of words is amazing. We sold out night after night.

This recipe is a way to show off the best summer fruit you can find. If possible, use an assortment of fruits, such as plums, peaches, figs, and berries, but make sure that all the fruit is up to snuff. Rather than striving for variety and ending up with less-than-ideal examples of each fruit, you’re better off with a simpler salad composed of only the most perfect nectarines or gorgeous peaches all alone. The dressing is made by pounding some of the fruit into a juicy vinaigrette. Figs are my favorite for this purpose. They mellow the vinegar and give the dressing body and chunkiness. If you’ve never had a Marcona almond, you may not forgive me for introducing you to them. Rich and dense, this Spanish almond variety is outrageously addictive. If you can’t find Marcona almonds, use toasted regular almonds or pecans.

Everyone has had berries in cobblers and pies, but when people see this gratinéed dessert, their eyebrows rise in curious anticipation. The raspberries and custard are cooked briefly under the broiler, creating a delicious warm crust that only partially hides the tart berries and warm cream beneath. Once you learn this technique, you can use it with other berries, or winter, a gratin made with sautéed apples or pears with dried fruit is delicious, too. Choose an attractive dish that can go from oven to table.

While living in France, I took some time off from the savory kitchen to explore the sweet side of Paris at Pâtisserie Christian Pottier. Although I was fascinated by the fancy layered creations there, I preferred simpler, homier pastries, like buttery madeleines, crisp millefeuilles, and of course the very French financiers. Invented in a pastry shop near the Paris Stock Exchange, these one-bite cakes provided a quick sweet fix for bankers on the run. They were originally made in small rectangular molds to resemble gold bricks, but financiers can now be found in myriad shapes and sizes all over France. The easy-to-make batter has ground nuts, egg whites, sugar, and vanilla brown butter. At Lucques, we sometimes bake our financiers into round cakes and serve the slices with sugared summer fruit and whipped cream. Try a slice crisped in the toaster the next morning for breakfast.

Our wild strawberry cordial is actually somewhere between a fruit purée and a syrup. The idea was to create a high-octane strawberry flavor to blend in a French 75 cocktail (page 69). Much of the flavor comes from the wild strawberries we have imported frozen from France—they are tiny in size but big in flavor and vary from light yellow to deep red. You can use regular fresh strawberries, but make absolutely certain that they are ripe and fragrant.

The story of the Bellini begins during Prohibition with American playboy Harry Pickering, who drank at the Europa Hotel in Venice with bartender Giuseppe Cipriani. Pickering’s family had cut off his funds in a last-ditch effort to get him back home and quit drinking. Pickering asked Cipriani for a loan of 10,000 lire—the equivalent of $61,000 today—to get his affairs in order. Cipriani lent him his life savings, only to not hear a word from Pickering for over a year. Legend has it that when Pickering returned to the bar, he ordered a drink and paid Cipriani 50,000 lire as a show of gratitude so he could open his own bar. In 1931, Harry’s Bar in Venice opened and the Bellini cocktail was created there shortly afterward.

According to David Wondrich, the Whiskey Smash comes from the Baroque Age (see opposite page) of the cocktail. Obviously, it served as inspiration for our seasonal Ginger Smash cocktails, but it is in all its features a julep—the only difference being that the Smash has some ornamental fruits for garnish and is always shaken so that the mint is “smashed”—hence the name. From all the smashes in the Baroque Age, it appears that the Brandy Smash was the most popular (same drink, different base spirit—try it out for yourself), but somehow the whiskey version stuck with us. Maybe sampling Dale DeGroff’s rocking peach whiskey smash sealed the deal for us, or maybe it was just that we loved the term “smashed.” In any case, this is a very simple drink to make, and we suggest that you use our homemade Mint Syrup in place of simple syrup for a far more dimensional cocktail experience. This cocktail is one of the very few that contains no juice but nevertheless should be shaken and smashed.

This version of the Ginger Smash is the original Employees Only seasonal cocktail. We set out to create a cocktail composed of ingredients that warm you up on a winter day. The result was so tasty and fresh in aroma that it was a “smash” from the start. It remains, to this day, one of our best sellers.